These common mistakes are costing you creatively and financially.
It’s Visual Effects, so you have to lock off the shot.
we would rather keep the Director and Cinematographer happy and not take away from the rhythm of the scene.
Now for the secret: shots with a little motion blur can actually be a whole lot more forgiving for visual effects. With current 3D tracking software, what used to be an issue is much more automated. Overall this means simpler textures and quicker rendering. Just make sure a VFX Supervisor is around to place tracking markers or gather necessary camera information.
It needs to be Visual Effects or Practical Effects.
Often, VFX is seen as a replacement. Filmmakers forget we are here to fill in the gaps. This is the best way to get your money’s worth and the most impressive product.
A combination of visual effects and practical effects often ends up being the best way to go and is much more affordable overall.
The beavers in Zombeavers were puppets, which ended up making the zombeavers a hilarious, over the top, aesthetic choice.
Would photoreal CG beavers have been as funny? Or affordable? Director Jordan Rubin’s choice of zombeaver puppets and the way they react to being hit by various weapons throughout the film adds a layer of campy fun to the film.
Talk to your Visual Effects Producer and Supervisor about the style and tone you are going for. Is it worth spending your budget on CGI creatures? Perhaps building some miniatures, some awesome costumes, puppets, and then augmenting them with VFX is the way to go.
My Cinematographer or Grip has lit some Visual Effects shots before so he/she is a VFX Supervisor, therefore I don’t need one on set.
A little knowledge can be a very dangerous thing. Spend the extra up front fee so you can ensure that you are shooting with the correct techniques to hand off to your VFX vendor.
This is one of those pennywise, pound foolish mistakes that some producers make. If there are problems with the plates because the footage wasn’t shot correctly, you can make post-production far more expensive or impossible. You wouldn’t hire a brain surgeon to perform heart surgery just because he saw it done in med school. Nor would you trust your friend’s cousin’s little brother who does VFX in his mom’s garage because he said he would give you a really good deal, right? Each department has specialists for a reason. Hire one!
The more tracking markers, the better. Just put them everywhere!
Let your VFX Supervisor select the number of tracking markers, their size, color and placement. Adding a bunch of tracking markers won’t make the VFX artists’ lives any easier. You don’t want to waste your resources painting out tracking markers instead of improving the art. Many times, compositors can use the edges or corners of an onscreen element like a monitor screen to track to, and don’t need actual markers. Additional markers mean more resources towards cleaning up the mess, and less time dedicated to the art and craft in your shots. It also adds additional time to your schedule, which you may not have.
Here’s an easy rhyme to help you remember:
If it’s a reflective surface, your markers have no purpose! (And it will just have to be painted out by sad, sad junior artists.)
The color green makes everything invisible and a green screen is the best option because I don’t want to go to location. It’s too cold/hot/far and I saw it on a behind-the-scenes.
I know this sounds silly, but it’s important for me to point out that green screens (or blue) are not the magical solution for every creative challenge. They are very important and allow imagination and story to go to incredible places, but they have to be taken seriously and used correctly. The wrong hair style, color, clothing, can be a very expensive mistake. Make sure to weigh out your options and resources before throwing your talent on a stage.
On La Creme Dairy Creamer’s “Get Real” campaign, Director Mike Goubeaux (for the production company Wild Plum) wanted a fantastic, surreal feel that we couldn’t have accomplished on a real location. The blue screen gave us the ability to fully create the Director’s vision, from every hill, tree, and cloud to additional blades of grass.
*There are always exceptions to the above myths, so make sure to check with your friendly, neighborhood Visual Effects Supervisor.
Zombeavers is on Netflix!
Also, let us know when you recognize John Mayer in his cameo.
If you have any questions about VFX, or want to add any myths to this list, we would love to hear your thoughts!
Written by Alexis Nelson, owner and VFX Producer of HOAX Films